Celebrity Wedding Dress of The Year?

I’m just going to come out and say it; I was a bit disappointed with Amal Alamuddin’s wedding dress.

amal-alamuddin-wedding-dress-photo-people-coverDon’t get me wrong, it’s a lovely dress, designed and constructed by the magnificent Oscar de la Renta who regularly dresses the world’s most beautiful women. And Amal looks gorgeous because she is a gorgeous woman… but let’s face it, she’d have looked gorgeous if she’d wrapped herself in bog roll and floated down the aisle.

I quite like the lace, I quite like the off-the-shoulder straps reminiscent of my favourite Disney princess, Belle, but I think that’s my problem: it’s classic, it’s sweet, it’s safe… it’s just a bit Disney. I suppose I expected something with a bit more chutzpah from the hugely accomplished, internationally-acclaimed human rights lawyer who has fascinated the world by winning the affections of Our Sexiest Bachelor. Isn’t safe just a bit boring?

There’s a ridiculously long train, of course, as there always is with stupidly expensive weddings. She can’t walk around freely, but MONEY HAS BEEN SPENT, PEOPLE. Although, of course, it’s highly unlikely she actually paid for her dress which leaves me wondering- is this lovely, lace confection truly reflective of Amal and her personality? Is this what Oscar de la Renta would have designed for a strong, chic, dynamic and HOT 36-year old woman should she not have been such a huge public figure and much-anticipated bride to be?

Perhaps. Perhaps Amal knew exactly what she wanted to wear on her wedding day and this was it. Perhaps I’ve got it all wrong and am just being unnecessarily critical. Perhaps she loves Beauty And The Beast as much as I do. Perhaps I’ve got a little wound up about just how much exposure and media hysteria their wedding created last week. I’m thrilled that they’ve found each other and I’m thrilled they’ve tied the knot. Best of luck to them; they seem genuinely happy and in love. But to make the 6pm news three days in a row? To have Susannah Reid flown to Venice to report on the lead-up? To tout this perfectly nice dress as The Wedding Dress Of The Year?? (Good Morning Britain, I’m talking to you.)

No. Not in my books. That accolade would go to the lovely Fearne Cotton, I reckon. For having the chutzpah to wear something cute, unique and oh-so pretty that represented her in every way, and for pulling it off with effortless aplomb.

fearne

Disagree? Who (or what) would win your Celebrity Wedding Dress of the Year?

Sama xxx

 

 

Selling On The Dress of Dreams

I think it’s time.

I know, I know- how could I? Why would I want to get rid of the most beautiful dress I will ever own? Don’t I want to get it out of the wardrobe once a year and put it on/ dance around the landing/ do the ironing in it/baulk at how it no longer fits? Might my hypothetical future daughter want to wear it herself one day? Does money mean more than memories??

Hmm.

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My beautiful Chantilly dress by Claire Pettibone. Image by Dominique Bader.

From the moment I chose my dress Paul was petitioning for me to sell it once the wedding was over. He even made a joke about it in his speech (which went down a treat, annoyingly). The idea didn’t fill me with horror, but I also wasn’t sure if I’d want to. Consequently in the months that followed our wedding I had a handful of brides-to-be contact me to find out if I was willing to sell my dress but I always politely declined. It felt too soon and made me feel bizarrely disloyal to this beautiful silk and chantilly lace creation that had made me feel so, so beautiful and special.

But I have to admit something’s changed now. Our wedding was 15 months ago and I’m relieved to say I no longer mourn it’s passing. Our brilliant, happy, laughter-filled day is securely locked in the old internal memory box, and there are visual reminders throughout our house- from the shot of me and my bridesmaids on my office shelf to the polaroid guestbook that has taken up formal residency on our coffee table.

My dress, however, resides in the spare room wardrobe, forgotten and unloved. I’ve put it on twice since the wedding day and both times it’s made me feel a bit sad; sad that I’m never going to have the chance to wear it properly again and sad that it’s now too tight. This is not a dress that’s had it’s day. This is a dress that is clean and sparkly and wants desperately to have its moment in the spotlight again. And who am I to begrudge it of that opportunity?

So the decision’s been made; she’s up for sale. (I can’t keep calling her ‘it’, she’ll get the right hump). I’ve had a chat with her and she’s excited. Of course, whether there’s a bride-to-be out there who wants to buy her is another question, but I know that Claire Pettibone has quite the following and Chantilly is one of her most sought-after dresses, so here’s hoping this lil’ post will reach the right person.

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The glorious Chantilly back. Image by Dominique Bader.

I shall let you know how I get on and as and when she leaves Hextable for pastures new. As well as this blog post, I’ve also put ads on Sell My Wedding Dress and the Undress section of Rock My Wedding- so it may be interesting for those considering selling their own dress which medium I have the most luck with. Please do get in touch if you’d like to find out more about sizing/price etc.*

In the meantime I’d love to hear from you- would you/could you sell your wedding dress? Did you buy your dress with the full intention of selling it on after the wedding day, or does the idea fill you with horror? For those who have said goodbye to their own Dress of Dreams, which website/shop did you sell through and how long did it take?

A big wave to everybody from me to thee as well. It’s been a while, hasn’t it? I have lots to catch up on having just finished my Utterly Wow 2014 season, but for now I’m enjoying a well-earned breather. I’m massively looking forward to getting back to regular(ish) blogging though.

Lots of love to all!

Sama xxx

*In putting the RMW link on I’ve noticed they’ve temporarily closed their Undress section due to persistent scammers. I was actually immediately approached by a scammer after submitting my details to Sell My Wedding Dress. The profile picture of a young pretty girl was quite convincing but sadly the fact ‘she’ wanted to buy the dress immediately without trying it on or asking questions, the random story of how she was deaf, in a wheelchair and buying it for her cousin, and the fact she could only pay by PayPal made it pretty obvious she/he was lying out of her/his arse.

I Dream of Tulle

I do.

Specifically big, pouffy, swishy tulle skirts paired with a casual top and a pair of skyscrapers à la style icon, Carrie Bradshaw.

A tulle icon. Image via Groove Girl

Image via Groove Girl

Worn badly the tulle skirt is the epitome of tackiness, with nasty prom dresses and those fluorescent-pink mini tutus we all crack out for eighties nights springing to mind. Worn well, like these fashionable so and sos below, and you have the height of style and femininity; a nod to 1950’s elegance combined with modern day, urban rock and roll.

Image from top left: 1 // 2 // 3 // 4

Image from top left: 1 // 2 // 3 // 4

In the wedding world, I adore tulle skirts when worn as a statement piece like the hipsters above. I’m not a girly girl; I wouldn’t wear a tiara unless it was for a fancy dress party, and if Paul ever dared to call me ‘his little princess’ I’d poke him in the eye, but in another life I dream about donning tulle on my wedding day.

Whether it’s worn short and sweet with a leather jacket and glittery Kate Spade heels like this gorgeous bride…

Image by Levi Stolove

Image by Levi Stolove

… Or rustic and romantic with full-length tulle and a casual lace top like the Swedish beauty below…

… there’s no denying it; tulle rocks.

But here’s the sticking point. You have to be slender and delicate up top. I’m talking a diddy waist and a small bust; neither of which I have, hence why I dream of tulle rather than actually wearing it. Sigh. In another life maybe.

If, like me, you would love to wear tulle but don’t have the body for it, or if you do have the body for it (lucky sod) but don’t have the confidence to step out in such a bold look, then I implore you… find a small child and put her in a vest top and a massive tulle skirt.

HAVE YOU EVER SEEN ANYTHING CUTER?

Sama xxx

PS. I have actually have photo evidence of the one time I have ever successfully worn tulle. I was 5.

 

Dress Crushing

And I don’t mean the type of crushing that turned Walter White’s  RV-come-meth-lab in to a piece of flat pack furniture, yo. I’m talking the kind of crushing that gets your heart racing and your pupils dilating. (Although, to be fair, the meth lab probably did that too.) The kind of crushing that I had on Jared Leto when I was 13 and on Leonardo di Caprio when I was… well, now.

My job in the bridal boutique means I turn up to work and am surrounded by gorgeous things. I get new crushes every day; when a bride shows me the most exquisite engagement ring, or when she puts on a dress and it just floors the entire room. Bridal boutique owners and employees are literally falling in love every day at the moment, and you know why? Because the SS14 dresses are arriving, folks. Never has the grumpy man from UPS been so welcome.

Now I may be biased but I’m going to put it out there and say that Blackburn Bridal has The Best Dresses. Bohemian romance, old-school glamour and total originality are what we do, and today I thought I’d share just some of the sumptiousness that is brand new in for the upcoming season.

Brides-to-be, I am so jealous of you right now.

Jenny Packham

I don’t think there’s a person in the entire world who hasn’t heard of Jenny now, thanks to a certain Duchess. Her gowns are glamorous, luxurious and totally timeless. She has created some absolute beauties this year but my favourites have to be Genevieve for it’s simplicity, feminity and intricate, opaque white beading, Tilly for it’s nod to 1970’s bohemia, and Kathleen, because it’s slouchy. And covered in beads. ‘Casual-glamour’ would be an accurate description for this Boudica-esque beauty, I feel.

Genevieve by Jenny Packham

Genevieve by Jenny Packham

Tilly by Jenny Packham

Tilly by Jenny Packham

Kathleen by Jenny Packham

Kathleen by Jenny Packham

Leila Hafzi

Leila Hafzi is a new and very welcome addition to the boutique rails. These dreamy, bohemian, feminine gowns fuse high-end fashion with sustainable, ethically produced garments… so perfect for the stylish, eco-conscious bride! Made from the lightest silk chiffon in either ivory, champagne or the palest of pinks, my favourite is Fariba. Wear her with bare feet and a big old flower crown and you can’t really go wrong.

Fariba by Leila Hafzi

Fariba by Leila Hafzi

Charlotte Casadejus

Oh man, we love this lady. And her collection of original, vintage-inspired gowns were a no-brainer when we spied them at The White Gallery in May. Charlotte LOVES genuine vintage and antique fabrics, so when it comes to lace sleeves and belt buckles, no two dresses are ever the same- which is something I find very exciting! Cecile is the epitome of 1930s glamour, whilst Coco is… well, Coco is just fabulous. Utterly niche and too cool for school, we can’t wait to meet this bride. (Or should I say ‘anti-bride’?)

Coco by Charlotte Casadejus

It’s a shirt dress! Coco by Charlotte Casadejus

Claire Pettibone

Does Claire really need an introduction? I wore one of her gowns myself and she has boho brides travelling to us from all over the world to try on her stunningly romantic designs. Her Découpage collection consists of only six pieces, but the stand-out has to be Wren. A beautiful guipure and chantilly lace top, fluid silk skirt, and a keyhole back to make all other keyhole backs feel totally inadequate; this dress is going down a treat in the boutique right now, and it’s easy to see why.

Well, I feel much better for getting those out of my system. I must confess to having tried all bar two of them on… (well, when you work in a bridal boutique it would be rude not to, right?) and they feel as good as they look. There are a few dresses to come in still, meaning I will have more to share with you in the coming weeks courtesy of Suzanne Neville, Clinton Lotter and Sarah Janks, but for now I want to know… which is your favourite??

I’m going with Genevieve. No, Wren. No, Geneveive… gah!

Sama xxx

The Wedding Dress of Dreams

I’ve only gone and bloody done it.

I have finally chosen the dress I am to be married in.  And let me tell you, for a girl who works in a bridal shop, writes a wedding blog and is generally obsessed with all things nuptial, that is no mean feat.

Surprisingly, the final decision was easier than I ever imagined.  But that’s skipping to the end.  To tell a story we really must start at the very beginning…

*   *   *   *   *

I have always thought about what I’d wear when I got married.  Way before I worked in bridal, way before I got engaged, way before I even met Paul, in fact.  Here’s an embarrassing confession: in my teens I went through a nasty bout of insomnia and to calm myself down and try to send myself to sleep I would imagine myself walking down an imaginary aisle in my imaginary wedding dress.   The man waiting for me at the end was a blur- actually he wasn’t even important at that time- but the dress soon became crystal clear.  It had straps and a v-neck, it drew in to my waist with some sort of beaded or lacy detail, and it came over my hips (I never wanted a big dress) before finishing with a soft, fluid, floaty skirt.  I suppose a bit like the Saskia by Jenny Packham.  But minus the over-sized shoulder bows.

Saskia by Jenny Packham

Once I’d got engaged (or it could have been before- I’ve been trying dresses on ever since I started working at the boutique if I’m totally honest), I did try the Saskia and liked it very much.  The feeling of wafting around in a cloud of chiffon is quite divine, let me tell you; but in the end I didn’t find the dress flattering enough, I felt a bit frumpy, and it was quickly discarded.

And there we get to the first major battle of my wedding dress search: feeling fantastic versus feeling frumpy.  Once I’d started trying dresses on I quickly learnt two things about myself; 1. that I’m incredibly self-critical and will automatically look for the fat bit when trying a new dress on (“chunky arms- get it off”), and 2. that my insomnia-induced dress instinct was right- as a busty, fairly top-heavy person, the dress had to come over my hips and show off my whole shape in order to make me look and feel slim.  This meant that princess, empire and a-lines were out; soft fishtails were in.

In the end there were only really four dresses that made me feel fan-bloody-tastic, and one of them was way over budget (and not from my shop, sshhh).  That was, of course, the Lihi by Mira Zwillinger.  I’ve mentioned this dress before, and even though I broke the number one rule of wedding dress shopping (Don’t Try On What You Can’t Afford!) I snuck away with my Mum one afternoon to ‘test’ the rule I preach daily. Ahem.  It was beautiful but I couldn’t afford it. As predicted. Pointless exercise completed, although we did have a lovely afternoon 🙂

Cue the first of a couple of strategically zoomed-in and Instagrammed peeks at me in dresses (as I know Paul will be reading)…

Lihi by Mira Zwillinger with a stunning £900 Toni Federici veil

Real Contender Number 1, and the first dress to properly steal my heart (and cause the most angst throughout the entire dress deliberation) was the Luna by Jenny Packham.  Of her 2012 collection, this was the dress I couldn’t wait to arrive in store the most, and when I put it on I didn’t want to take it off.  It shimmered, it swooshed, it flattered my figure and it made me feel like a movie star.  Not to mention it was in a very pale blush colour which I loved. I knew that it was everything that Paul would hate, but I told myself that he’d like the silouhette (as a very sexy dress it is indeed), and that if I liked it, he’d like it.

The incredible beadwork of ‘Luna’ by Jenny Packham

Surprisingly so, my Mum didn’t get it either (we usually have such similar taste).  Where I saw sexy, sparkly and romantic, she saw “70’s showgirl”. I was disappointed but it remained a very strong contender.  Nay, the front runner.  Rebellious ’til the end, me.

Real Contender Number 2 was a Sarah Seven dress called Fields of Flowers.  On the hanger it didn’t look like much, and I’d dismissed it a) for the A-line skirt, and b) for the high lace neck.  However, once I started putting it on brides I realised it was an incredibly flattering dress; girly and feminine but with a dash of rock n’ roll in the underwear style corset top and modern, sparkly belt.  I tried it on, it gave me a waist I never knew I had; I felt like a bride.

Nipped in and sparkling away- ‘Fields of Flowers’ by Sarah Seven

And there I was, stuck between a rock and a hard place for the last six weeks or so.  My head was telling me to go for classic with a twist- Paul would get it, my guests would get it, I wouldn’t look back in twenty years time and think, what was I thinking??  But my furiously pumping heart was jumping up and down and waving ‘Luna is The One!’ placards. It was pink, it was unique, it was glamorous and swishy; it made me feel ah-may-zing.  Paul would just have to suck it.

But then a New Kid On The Block came along.  Not an actual 80’s popstar, but a dress that I hadn’t tried on or even previously considered.  We’d had it in the shop when I first started working there but sold our sample shortly afterwards. A year or so later and it had slipped back on to our rails relatively unannounced, and although I admired it’s beauty I’d dismissed it for myself because it didn’t have the waist detail I was after, and I feared it would make me look matronly.

It didn’t make me feel matronly, it made me feel… special. I think that’s the best way to describe it. Not ah-may-zing like the Luna or ‘bridey’ like Fields of Flowers, but softly sexy and special. A very special dress for a very special occasion.

Last weekend my Mum and my bridesmaids came to the shop at the end of a long Saturday at work.  I knew which one I was going to choose but we went through the motions anyway.  The Luna got a very muted reaction and I surprised myself with how quickly I eliminated it, having clung on to it for so long. Fields of Flowers got lots of positive noises and looked fantastic with the bridesmaids dresses. A very worthy runner-up.  I saved The New Kid On The Block till last and came out of the changing room beaming.  The New Kid On the Block became The One.  My manager cried (from relief probably- I’d been trying on dresses for the last eighteen months!) and glasses were clinked.  My bridesmaids and I met up with our men to celebrate and I got very, very drunk. Job done.

So what can I tell you about The One?

  • Well, I think it’s a perfect balance between the glamour of Luna and the ‘brideyness’ of  Fields of Flowers.
  • It’s not pink. (Paul breathes a sigh of relief.)
  • I showed my step-father-to-be a picture of me in it and after a moment he said, “Mmmm, very woodland nymph”, which wasn’t quite what I was after but is better than “70’s showgirl”.  I also think the flower garland I had on my head may have had something to do with his thought process.
  • It looks fantastic with said flower garland.
  • It has an amazing back.

Is it everything I ever dreamed of?  Erm, actually no.  I dreamt of swathes of chiffon and a much, much floatier skirt like the Saskia at the very beginning of this post.  But in reality it didn’t work on me.  The One is actually a bit of a slinky malinky; still very soft and fluid, but much more fishtail than I ever thought I’d have.  I am, however, 100% head over heels in love with it and cannot wait to wear it- even though I have to plank my way from now ’til May to lose the little tummy pouch that a waistband can magically hide.

So there we have it.  Well done and thank you for reading until the end if you’ve made it this far of a rather epic post.

I’ll leave you with a little lesson I learnt the other day.  When downloading pictures of you in your dress on to your laptop and meticulously hiding them away in a folder he will never find, don’t leave your favourite image minimised when you think you’ve actually closed it.  Because he will go on to the laptop later in the evening when you’ve forgotten all about it, and open said image.  As Paul did last week.  He made a little yelp of surprise and closed it down pretty sharpish, but a glimpse he has seen none the less.

In all honesty I’m not that bothered.  I’m not superstitious and we are both fairly relaxed about the whole thing (we’re staying together the night before the wedding, for example),  but I still deserve a slap on the wrist.  Still, he proved another point I make on a daily basis when I asked him how much he actually saw later on that night.

“White”, was his response.  And he made a slinky little hourglass shape with his hands.

Which just goes to show ladies, it’s all about the colour and the shape for our men of simple pleasures.  Appreciation (or depreciation) of the detail that consumes us will come much, much later.  When you’ve pointed it out to him perhaps.

Seven months today!

Sama xxx

 

Claire Pettibone Trunk Show at Blackburn Bridal Couture

Oh hello weekend! And hello dearest Uttersons…

I’m slipping in a cheeky little post today to publicize an extra-special event taking place at the boutique I work at next weekend.  Claire Pettibone is one of my favourite bridal designers, and I’m so lucky to work somewhere that not only stocks her beautiful creations, but is also her main UK stockist (and exclusive in London!).

The beautiful ‘Toulouse’ by Claire Pettibone

Claire’s bridal designs are the epitome of bohemian romance.  Soft, fluid, colourful, intricate, whimsical, delicately embellished and as light as a feather; season after season she brings out a collection that is a cut above the rest in terms of quality and originality… in my humble opinion, of course 😉

Queen Anne’s Lace by Claire Pettibone. Image by Sarah Gawler

Mystere by Claire Pettibone. Image by Gia Canali

Midnight by Claire Pettibone

Ok ok, so she does stunning dresses, but what’s this Trunk Show all about then?

Well, next weekend (Friday 5th and Saturday 6th October), Blackburn Bridal Couture will be hosting an event to showcase all three of her stunning collections: the Continuing Collection (with favourites such as Queen Anne’s Lace, Kristene and Willow), the 2012 french-inspired Beau Monde Collection, and her brand spanking new 2013 Windsor Rose China Collection.

Not only will there be over 40 dresses of hers to coo over and try on, but there are some fantastic suppliers coming along on the Saturday to bring a little extra je ne sais quoi.  Ana Ospina will be in store giving mini-makovers, Kate Ruth Romey will be showcasing her bespoke stationery creations, Rosalind Miller will be providing the cake (Claire Pettibone inspired of course), and Jay Archer will be on hand to talk boho blooms.

So this is a last call for all you discerning brides out there still searching for The Dress, as there are only a few Saturday slots left!  Got your dress already?  I bet you know someone who hasn’t… so spread the word and pass this post on.

Want more pretty? Oh go on then- here are some of our beautiful Claire Pettibone brides looking simply resplendent…

Rosie in ‘Juliet’- via Love My Dress

A high-fiving Rebecca in ‘Orange Blossom’- via Whimsical Wonderland Wedding

Laura in ‘Queen Anne’s Lace’- via Love My Dress

Gemma in ‘Mystere’- via Pocketful of Dreams

Katie Melua in ‘Arwen’- via OK Magazine

Yeah, that’s right. I just casually threw a celebrity in there. (And quite possibly the nicest I’ve ever met.)

There are only a few Saturday slots left, so to book your place at the Claire Pettibone Trunk Show next weekend (and spend an hour of your day with me, yay!) simply get in touch.

Enjoy the weekend, oh wonderful ones.

Sama xxx

Sarah Seven In Da House!

This week has been aaaaaaaaaaaall about Sarah Seven.

If you’ve not heard of this über-cool San Francisco designer before, then fret not.  Until now she’s only really been stocked stateside…

…But not any more!

My new favourite rail.

The first batch of her dresses arrived at the boutique this week and I was a squealing, clapping, high-fiving-myself ball of excitement as I opened up the box of goodies.  We’re talking gold spun fabric, coffee-coloured chiffon, lace, ruffles and sparkly belts galore.  She brings everything that is cool about California over to the UK in a small but oh-so perfectly formed collection of quirky, modern, edgy, young, fun and undeniably romantic wedding gowns.

Can you tell I like them?

I’m not going to lie; I’ve tried most of them on already.  One of them has become an incredibly strong contender for my own wedding.  Such has been my excitement for this new arrival that I was even compelled to battle against my technical demons and attempt an online mood board.  I have called this one Autumnal Amour, inspired by the Amour gown by Sarah Seven.  Think coffee and cream tones, rustic romance and an eclectic mix of textures and materials…

Autumnal Amour- created using Olioboard

From top left: 1. Image via Wedding Chicks, 2. Amour by Sarah Seven, 3. Image via Pinterest, 4. Image via The Natural Wedding Company, 5. Luskey’s Western Store, 6. Dress by Desire Clothing

Here’s some more of her gorgeous 2013 collection to see you in to your weekend, available now at this super-cool bridal boutique… Enjoy!

Ruffles and lace.

Silver beads and a cowl neck back.

The Goldie. Yes really. So beatueous it shares the same name as me …

Pretty, frilly, fun.

Accessories too… check out the statement bib necklace!

I have to go and lie down.

Who wants to be a Sarah Seven bride?

Sama xxx

 

 

The Case for Going Bespoke… Part Two

Hello dearest Uttersons, and welcome back to Part Two of my little exploration in to the world of bespoke wedding dresses.

As I mentioned in yesterday’s post, I am very close to going bespoke myself, and was keen to hear from brides who had gone there, made it, worn it, and most definitely not looked back.   We heard from Hannah and Joanne, two ladies who went bespoke simply because they struggled to find The One in the bridal shops.  And today we hear from two more, each with a unique and inspirational tale.

So without further ado, let me introduce you to Isabel Kelly, a freelance PR consultant and the first person (go Isabel!) to get in touch with me when I initally put a call-out on Twitter a few months ago.

Isabel ‘lucked out’ (her own words!), as her close friend was a trained couturier and offered to make her wedding dress.

Isabel in her bespoke dress. (With designer friend in the background!) Image by Jacqui Matthews

So Isabel, how did you know what to go for design-wise?

“I didn’t, but we were very naughty and went to loads (and I mean loads!) of wedding dress shops with my mum in tow to try dresses on. I’m not going to lie, this was the best bit of the wedding planning! I tried on dresses that were extortionate and I could never had afforded (one of them was £12,000 and this was quite a few years ago now!) but we used it as an exercise to find out what suited me and what I loved the most. I also looked constantly online – Ellie Saab was an inspiration. I also trawled lots of wedding fashion shows online (yes, I was a bit obsessed!) so eventually I was able to pick out pictures I liked and sent them to my friend.”

I should probably interject here- working in a bridal boutique, you may be wondering what I think of ‘trying without an intention of buying’.  Well… bridal boutique owners are obviously aware that not everyone is going to buy from their shop, and indeed it is the bride’s prerogative to do what she has to to find her perfect dress.  Of course there are going to be some people who will visit boutiques to try on dresses and see what styles suit- and where else are you going to be able to do this?  But all I will say is this: be discreet.  There was a post that ‘went viral’ a couple of months ago about a bride who went to have fun and wasn’t so discreet about it… and this unsurprisingly riled a few people, including myself.  But if you are friendly and open and serious about finding something that looks fab… well, maybe you won’t need to go bespoke at all 🙂

But anyway, back to the matter at hand. My fear, and I’m sure it’s the same for many brides considering having their dress made, is that it will become the designer’s dress, rather than mine.  But as Isabel says:

“I had total control over the design. The only thing that caused debate was that I wanted a strapless dress and she advised me they are a pig to wear as they constantly slip down, so we compromised on really skinny straps to hold the dress up (which was needed as it was a heavy dress!).  She was right of course and I didn’t have to worry about pulling it up all the time. My friend sketched the design, so I knew what it would look like in advance. We also went fabric shopping together round her favourite (and secret!) fabric shops, so it was a great way to ensure I had plenty of input. The result was a fitted fishtail dress in blush coloured satin with a cream antique lace overlay.

Wow.  I love blush pink wedding dresses and that fishtail silouhette is gorgeous! What a lovely combination of sexy and romantic…

“When I tried on the first pattern (she made the initial toile in linen to gauge the sizing and fit etc) I was horrified as it was obviously a linen dress and I did think, ‘Have I done the right thing?’. But the finished result was obviously nothing like that! The best aspect of having a bespoke dress made was that it was being made just for me and that I knew my friend very, very well and we could have a good gossip. The worst was thinking that if anything went wrong it would be a dreadful way to end a friendship! “

Haha! Thankfully no friendships were harmed in the making of this wedding dress, and I’d like to thank you, Isabel, for sharing your story and beautiful dress with me.

So.  Thus far we’ve heard from Hannah, who had tried on so many she’d become ‘dress blind’; Joanne, who pretty much knew what she wanted but just couldn’t find it in the shops; and Isabel, whose talented friend offered to make her wedding dress.  Our final tale is from Laura- fashion fiend and owner of vintage clothing boutique, Bluebird Vintage.  Laura’s tale is very interesting, as being a naturally stylish and discerning girl she knew exactly what she wanted and had the conviction and confidence to make it happen.

That’s Laura. And what a headpiece!
(Image by Ruth Jenkinson)

I’ll let Laura take it from here…

“I own a vintage shop, and have always had my heart set on an original vintage wedding dress, but after losing the one dress I found in 6 months of searching (the seller on Etsy accidentally sold it to someone else- after I had put down a deposit!) I started to become increasingly panicked that I would run out of time to find another that I loved. I also dislike modern wedding dresses, and did not have the budget or inclination to buy an overpriced, traditional dress off the peg. I was lucky in that a friend of mine works at the London College of Fashion and put a call out for young designers to make my dress.  I was contacted by a few, from which I picked a fantastic graduate called Charlotte who’s work I really liked.

I knew I wanted a 1950s style dress, and had my heart set on a particular Dior gown, but the fabric alone would have bankrupt me. I knew I had to scale down my ideas and so collected together pictures of dresses I loved, and that I knew would suit my shape. I have a small waist and big hips- a classic 1950s shape- which is why I have always been drawn to that era, and most of my clothes are from then. I must admit I struggled at first because there were so many different styles of 50s dress I really liked, but after considering our venues, time of year, budget, and also the occasion (when would I get to wear a big ball gown type dress ever again?) I settled on a dress which I adored, (worn by Elizabeth Taylor in the film ‘A Place in the Sun’) as the basis for the design of my dress.”

As with the other girls, Laura insists it was a truly collaborative affair… “We worked together and Charlotte made suggestions from a practical point of view, as well as the best fabrics to use. We looked at designs together, and emailed ideas back and forth in between fittings. It was completely collaborative, which was great.”

Laura’s beautiful 50s-style dress was made by Charlotte Harwick, founder and designer at Wilden Bride London.  Based on a corset, it was draped with zibeline silk, decorated with flowers and petals made from the same silk, and scattered with tiny silver beads. The skirt was made from oodles and oodles of tulle.

“I have no regrets about the process, the design or the outcome of the dress. I had natural worries about how I was going to look, but every bride does. I think Charlotte did a wonderful job of turning our ideas into a reality. The only ‘bad’ aspect is not being able to try on the finished garment at the start and say that’s ‘the one’… but that’s because you get to design it instead, and have input in to the whole thing; from the look, to the fabric and the budget. The very best thing is having an item custom made to your own body so it should fit you like a glove.”

S.T.U.N.N.I.N.G.

So, dear readers, have I persuaded any of you to go bespoke?  Or are there underlying niggles that you just can’t shake off?  Certainly a major factor for a lot of people considering having their dress made is the cost, but all four girls felt that their bespoke creation was more cost-effective than buying from a shop.  Only Joanne conceded that hers was over her original budget, but this is to be expected when having a dress made just for you by Suzanne Neville!  And as Laura so eloquently puts it: “A custom-made dress which is made for you is the most wonderful item of clothing you could ever wear.”

So what advice would the ladies give to anyone thinking of having their wedding dress made bespoke?  Well, funnily enough they all said very similar things, so I’ve bullet pointed them for you.  You can thank me later.

  • Research your dressmaker.  Go on recommendations or at least see examples of their work.  Choose someone you can trust and be comfortable with.
  • Do plenty of research and collect images of the dresses that make your heart soar.
  • Try on a good selection of wedding dresses to get a clear idea of what shapes and styles suit your body.  (But for god’s sake, be discreet! ;))
  • Set a budget and stick to it.  You may have to find alternative fabrics to ensure your dress doesn’t become too expensive but your designer should be able to guide you and give you lots of ideas.
  • Go fabric shopping with your designer if you can.
  • Be honest, and don’t be afraid to raise any concerns if you are unhappy; alterations and adjustments can be made, so be vocal.
  • Go for it! (Thank you, Hannah.)
I hope you’ve enjoyed this little post twosome as much as I’ve enjoyed putting them together.  It’s certainly made me more confident to take the leap- and there definitely is something utterly special about having a one-off item of clothing made just for you.
Ladies, it’s been a pleasure- and thank you SO much for sharing your experiences, images, and words of wisdom.
I think it might be time to sit down with my seamstress.
Sama xxx

The Case for Going Bespoke… Part One

For me The Wedding Dress dilemma rumbles gently on.

Working in a bridal boutique (and a blimmin’ brilliant one at that), I’m very lucky in that I can try on dresses as they come in and really get a sense of what I like and don’t like, what suits my body shape and what makes me feel how I want to feel on my wedding day.  The downside of this is that, in a way, I am almost over-exposed to the industry, to the vast array of choice and quality that is out there, and to the beautiful dresses that I handle and sell on a daily basis.  It would be foolish of me- both financially and from a loyalty sense- to go anywhere else for my wedding dress, and yet the dresses I do love are no longer special to me once I’ve put them on 10, 20, 50 other brides.

The truth is I know exactly what I want my wedding dress to look like, and with such a clear idea it’s looking more and more like I should just bite the bullet and go bespoke.  But there are niggles.  Niggles that say, what if I don’t like the finished dress?  What if  it doesn’t work out quite the way I hope?  What if it ends up costing waaaay more than I’m budgeting for?

Eager to speak to and pick the brains of brides who had their dress made just for them, I put a call-out on Twitter and was delighted to hear back from a whole host of ladies who were keen to share their stories.  Bouncing up and down a little bit and marvelling at the wonder that is Twitter, I emailed back some questions and waited patiently (only a couple of days- these ladies were ON IT) for the answers and pictures to come back in.

I’m very excited to share with you today the first two experiences of these ladies brave enough to go bespoke, starting off with the lovely Hannah- friend of the shop and founder of the über-chic online wedding directory, The Ebury Collection.

The lovely Hannah in her bespoke dress. (Image by Contre Jour)

Hannah says… “I made the mistake so many tell you not to do, and tried on too many dresses. I became what I call ‘dress blind’ and just couldn’t settle on anything. I think I was waiting for that moment where you can say ‘this is The One’ but it just never happened. I was also looking through magazines at so many beautiful and totally unaffordable dresses that it actually got me down. So I considered the option of having my dress made and met up with Reggie from The Bespoke Wardrobe and decided that this was going to be the best way forward for me.

 Once I’d decided that I was going down the bespoke route, Reggie suggested I gather some clippings of dresses, or elements of dresses that I liked and we could start from there. I did go a bit mad with the clippings and probably had somewhere in the region of 100+ which Reggie understandably found a little overwhelming initially! However it became clear that I liked silk, tulle, lace and nothing of the ball gown nature. Many of my clippings were of Vera Wang dresses so I think it was very inspired by her designs.”

Image by Contre Jour

It was definitely a very collaborative affair. After we decided that I  wanted a combination of silk, lace and tulle, we played about with the idea of layering. Champagne silk as a base, with a layer of lace covered with several layers of very soft silk tulle. The softness was very important to me as I wanted the dress to float rather than look stiff. I was able to choose the type of lace, the colour and even the type of tulle that we used.  Even down to the flower embellishments which were actually hair clips from Gillian Million.”

What I find incredibly interesting about Hannah’s story, is how she went about deciding on a concrete dress design when she didn’t have that clear vision in her head prior to the start of the process.  But with Hannah, it seems it was a continual work in progress…

“Other than knowing the fabrics I wanted and that I didn’t want anything too stiff or ball gown-y, I didn’t really know what I wanted. Part of the bespoke process is to get a toile made. This is a basic cotton garment that is pinned exactly to your body shape and is used by the dressmaker as the basis for your dress. Once this was done and the initial silk dress was made (with corseted structure), we were able to play with layering and shapes. We looked and were able to pretty much try out different necklines: sweetheart, straight, a bit between the two… all on the same day, just by pinning and playing around with the dress. It was over the course of the fittings where we were just playing about with tulle and straps and satin sashes that the dress eventually started to take shape.”

Image by Contre Jour

Yikes!  I imagine it’s the not knowing that can put a lot of people off going bespoke, although with such a beautiful dress Hannah clearly had nothing to worry about.  Were there any regrets or concerns during the process?

“I’d never been through the process of having a dress made for me before- let alone my wedding dress- so I was getting a little concerned that time was running away with me as the wedding day crept up but Reggie didn’t seemed worried at all.  I think my concern was based on the fact that most wedding dress shops want 6+ months to get your dress… but I needn’t have worried and have absolutely no regrets. It was great being able to design a dress that was just for me and made to fit me perfectly.”

Image by Contre Jour

And I have to say, it is an incredibly beautiful and unique dress.  From the cascading tulle straps to the exquisite layering of fabric and colour, it is most definitely something both Hannah and her dressmaker should be proud of!

Joanne Hutchings had a similar experience of trying too many dresses on and not quite finding the right one.  What’s different about Joanne’s bespoke journey is that the final  product was a collaboration between her and designer extroadinaire, Suzanne Neville!

Joanne explains… “I always knew that when the day came to choose a wedding dress it would not be the magical, fun experience that most brides have. I consider myself to be a ‘plain Jane’ but my friends describe my style as ‘no frills, classic’. I like simple designs- no sparkles or beading- and beautiful fabrics.  Add to this equation the fact that I don’t do strapless dresses. Don’t get me wrong, I appreciate a beautiful, sparkly, strapless number on other beautiful brides but my body shape and personality simply cannot pull it off.

 I started my hunt for a dress in Oxfordshire. There are a plethora of bridal boutiques in Oxfordshire with dresses to suit all shapes, sizes and styles…..except this bride. I widened my search to Berkshire, Hampshire, Buckinghamshire and London. I tried over 50 dresses all of which made me feel hideous. The hunt for a dress was turning me into a Bridezilla.

 At one bridal boutique the assistant asked, ‘Do you have an idea what you’re after’. I said ‘Plain. Plain, plain, plain… and not strapless’. She produced a beautiful gown which was covered in beading. I said, ‘It’s too fussy for me, I’m afraid’. She replied, ‘If this is too fussy then you’re not going to find your dress here’. With that I left in a flood of tears.

 Every dress I tried on was strapless and every shop said I could have straps added. But I did not want to look like the straps had been added.  I wanted the sleeves to be part of the design of the dress but I simply couldn’t find anything I liked. I went to a bridal shop in Marlow which happened to stock Suzanne Neville. I loved the simplicity of Suzanne’s designs but I still hadn’t found ‘The One’. The shop assistant recommended that I contact Suzanne who would be able to make me a bespoke dress. A few weeks later I attended the Suzanne Neville boutique in Knightsbridge and all my problems were solved.”

Joanne in her Suzanne Neville creation.

Joanne loved one of Suzanne’s designs called Mirabeau and used that as a basis to create something entirely unique to her.  I was curious as to how much input Joanne would have had when working with such a well-known designer but Joanne says she had lots, particularly with the all-important straps which were folded to tie in with the detail of the bodice and not look separate.  She also opted for satin-covered buttons rather than a lace-up back. (Although this she regrets now as she was at her smallest on her wedding day and a lace-up back would have allowed her to wear the dress again- even just for special occasions ;))

 

Joanne may have called herself a ‘plain Jane’, but over the last year or so I’ve met a fair few brides looking for something utterly simple and utterly classic, and not quite being able to find it in bridal shops.  Suzanne Neville is a fantastic designer for such designs, as is Beverly Lister and Stephanie Allin.  But ‘plain Jane’ aside,  Joanne’s figure looks absolutely sensational and her dress is classic, elegant… and competely unique to her.

Fascinating stuff so far, is it not? And I’ve got two more generous (and talented!) ladies sharing their dress stories tomorrow.  Will I go bespoke? Would you go bespoke?? These two ladies did and they don’t regret it.

See you tomorrow, folks!

Sama xxx

An Epiphany in Personal Style: The Skater Dress

This post was meant to be quite different.  Keeping it short and sweet I was simply going to share  with you a dress I’ve had my eye on for quite a while now.  One which has had me whimpering quite pitifully as I gaze at its casual-chic silouhette, its high waist tie and its pops of electric shimmery sparkle against a nude background.  Yes, this post was going to be visual ode to the Electric Circus Strappy dress by French Connection.

Stunner of a dress by French Connection

A boho-glam concoction of coral delight, it would be perfect either as one of my bridesmaids’ dresses, or for myself to wear to a friend’s wedding later this summer… if only I could justify the £195 price tag.  But I can’t, so for the time being I will continue to gaze wistfully.

*gazes wistfully*

Anyway, delectable dress aside I found myself browsing ASOS with the view of finding something slightly more affordable- either for myself or for my bridesmaids.  In fact my eye was drawn to lots of beautiful pieces and I started ‘saving’ away- only to notice a recurring theme…

Lipsy Lace & Mesh Skater Dress from ASOS, £55

ASOS SALON Skater Dress with Applique Flower Top, £100

ASOS Lace Skater Dress with Long Fitted Sleeves, £45

Aside from the fact that it seems I can’t get enough of lace when it comes to a perfect party dress, erm… what the hell is a Skater Dress??

Completely bamboozled by this alleged merging of pretty, floaty, feminine frocks with beanie hats, nose piercings and Avril Lavigne, I googled it.

Turns out it’s a TREND, ladies and gentlemen.

Image from WHO WHAT WEAR

Also known as the ‘fit and flare’ dress, the Skater Dress is apparently reminiscent of the outfits worn by female figure skaters, combining playful hemlines and whimsical fabrics to create a beautiful feminine silhouette.  Fitted on top, nipped in at the waist and floaty at the skirt, they give the illusion of an hour-glass figure and I LOVE them.

Looking in my wardrobe I realise it’s a style I’m drawn to again and again as the high waist and floaty skirt combo makes my legs look a lot longer than they really are, whilst the fitted top goes some way to minimising my bust.  I’m particularly drawn to the turquoise and coral ASOS numbers from above which combine a lace/appliqué top with a soft, chiffon skirt as it’s a look which is young and sexy in a playful way whilst being romantic and intrinsically feminine at the same time.

In fact, add another 30″ to the skirt length and make them ivory, and you have a more than passing resemblance to the two wedding dress images I keep coming back to again and again…

‘Aria’ by Rachel Gilbert via Green Wedding Shoes

‘Lihi’ by Mira Zwillinger via Wedding Inspirasi

One is no longer made and the other is more than three times over my budget.  Go figure.

So what do you reckon? With the realisation that skater dresses are the dogs bollocks and with such a clear idea of what I want to wear on my wedding day, do I bite the bullet and have something made???

Answers on a postcard… please!

Sama xxx